ich und du – vorbei
Februar 17, 2012 in Daily Abgefahrenes, Musik
Februar 17, 2012 in Daily Abgefahrenes, Musik
Februar 15, 2012 in Daily Abgefahrenes, Musik
… the wilhelm scream im pointdexter remix ist eher leichte kost im vergleich zur original version von james blake, aber trotzdem schön anzuhören. ein typischer radio-edit charakter… locker, flockig, fluffig, leicht…
Februar 13, 2012 in Animation, Daily Abgefahrenes, Musik, VFX, Video
… abgefahrener remix und ein dazu ebenso passendes abgefahrenes, surreal animiertes video. Watch Bonobo’s – Eyes down Remix by Machinedrum.
EyesDown (Drum Machine Remix) official video from Anthony Francisco Schepperd on Vimeo.
Only had a month to complete this one. Very tight schedule. But it worked out and I present a little look into the parallel universes of synthetic and organic inspiration. As usual more questions than answers….
Directed and Animated by Anthony Francisco Schepperd
Copyright NinjaTune Records 2012
EyesDown by Bonobo
Remix by Machine Drum
Februar 8, 2012 in Daily Abgefahrenes, Musik, Trends
… erinnert mich an Shaolin Soul Classics. Michael Kiwanuka – Tell me a tale
Watch Michael perform ‘I’m Getting Ready’, ‘I Need Your Company’, & ‘Tell Me A Tale’ live and exclusively for MTV Push.
Online: www.michaelkiwanuka.com
Februar 2, 2012 in Daily Abgefahrenes, Musik, Video
… video by conny karlsson. Das ist das, was man dann wohl als minimalistisch bezeichnet.
Dj Nibc & Patrick L feat. Andreas Cavaco – Call Me from Trunkfunk Records on Vimeo.
Video by Conny Karlsson: http://connykarlsson.se/
“Call Me” is a welcome dose of precisely what we all need right now: a brilliant ray of sunny electronic disco to warm up our winter dancefloors. DJ Nibc, the Berlin-based, Gothenburg-born DJ, producer and Trunkfunk Records label owner has joined forces with fellow Swedish house cat Patrick L for a collaborative effort that offers a fresh, playful and breezy take on deep disco grooves.
The “DJ Nibc Mix” rides a languid summer afternoon tempo, accompanied by shimmering light beams and sweet synth chords, rising to a peak of uplifting strings and soulful vocals that weave around the track’s core retro melody. The “Patrick L Mix” gives the full Polyphonic treatment, shifting the filtered strings to the intro, intensifying the bass, and using subtle punchy cut-ups in contrast with Patrick’s crystal-clear vocal treatment.
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